Appel à communication : Séminaire Collection 2022

COLLECTION / Séminaire sur le collectionnisme et le marché de l’art

Honoré Daumier, Les Amateurs, 1865-1868, Walters Art Museum (CCO)

 

APPEL À COMMUNICATION

Les organisateurs de Collection/Séminaire sur le collectionnisme et le marché de l’art, lancent un appel à communication pour les séances mensuelles du séminaire en 2022. Depuis sa fondation en 2020 le séminaire Collection entend être un lieu de rencontre entre universitaires et conservateurs venus présenter de nouvelles recherches sur tous les sujets relatifs à l’histoire des collections et du marché de l’art.

Les communications pourront concerner toutes les époques sans limitations géographiques et aborder par exemple la constitution et la vie des collections (privées et muséales), l’analyse de la figure du collectionneur dans toute sa complexité (rôle, statut, milieu) et les acteurs du marché de l’art (stratégies et réseau). Nous invitons aussi à porter un regard particulier aux réflexions méthodologiques sur les sources et les outils, y compris numériques.

Chaque séance est formée d’une présentation de 45 minutes suivie d’une discussion. Les séminaires se tiendront en ligne de 18h30 à 20h00, les 15 février, 15 mars, 12 avril, 10 mai, 07 juin, 18 octobre, 15 novembre et 13 décembre 2022.

Les propositions (300 mots) accompagnées d’un CV concis et des dates auxquelles vous n’êtes pas disponibles sont à envoyer avant le 10 décembre 2021 à collection.seminaire@gmail.com. Le choix des propositions sera effectué avant le 15 décembre.

 

CALL FOR PAPERS

The organisers of Collection/Séminaire sur le collectionnisme et le marché de l’art are inviting papers for the monthly sessions of the seminar in 2022. Since its foundation in 2020, the seminar Collection has been a place where academics and curators meet to present new researches on all topics related to the history of collecting and the art market. Continuer la lecture de « Appel à communication : Séminaire Collection 2022 »

Conférence : “Collecting and Provenance: A Multidisciplinary Approach” (09 mars 2020, Londres)

09 mars 2020, 18h00

Institute of Historical Research at the School of Advanced Studies of the University of London, Malet St, London WC1E 7HU

Collecting and Provenance: A Multidisciplinary Approach

Jane Milosch and Nick Pearce

Provenance – tracking the origin, ownership, transfer, and movement of objects – has become somewhat more visible in recent years, spurred on by the restitution of Nazi spoliated artworks and lately human remains and cultural heritage translocated during the colonial era. But rich provenance data is relevant within a wider a range of contexts and for a plurality of audiences where there is a desire to connect with objects, histories, cultures and associated people of all kinds. Through the work of the Smithsonian Provenance Research Initiative Jane Milosch and Nick Pearce have been engaging with provenance from this broad range of perspectives which has resulted in a new book: Collecting and Provenance: A Multidisciplinary Approach, the aim of which is to present provenance as an integral part of collecting history, illuminating the social, economic, and historic contexts in which objects were created and collected. They argue that provenance relates to the history of people as well as objects and its study can reveal an often-intricate network of relationships, patterns of activity, and motivations across a range of disciplinary perspectives.

Continuer la lecture de « Conférence : “Collecting and Provenance: A Multidisciplinary Approach” (09 mars 2020, Londres) »

Colloque : “Tools for the Future: Researching Art Market Practices from Past to Present” (25-26 Novembre 2019, Rome)

25-26 November 2019
Accademia Nazionale di San Luca, Rome
77, Piazza dell’Accademia di San Luca, Rome

Workshop 4: Communication strategies: development, promotion and innovation

This workshop is part of the International Workshops Series “Tools for the Future: Researching Art Market Practices from Past to Present”, established in 2017 by Elisabetta Lazzaro (HKU University of the Arts Utrecht), Nathalie Moureau (Université Paul Valéry Montpellier 3) and Adriana Turpin (IESA, Paris & Society for the History of Collecting). Through individual presentations followed by group discussions, the series aims at bringing together international scholars and professionals from different disciplines, periods of study and areas of practice of the art market to confront key issues and related methodologies that can add knowledge and evidence about the structures and principals of the art market. The first workshop was on art collectors, the second one on the artist as an entrepreneur and career paths, and the third one on the formation and development of new art markets.

This fourth workshop, Communication strategies: development, promotion and innovation has been organised in collaboration with the Accademia Nazionale di San Luca, Rome. The Rome workshop will address the importance of understanding how communication strategies can be effective or not. Communication must be intended here in its broad sense of creating, delivering and diffusing artistic content, and how these processes are impacted by and impact the art market from an innovation perspective, where innovation can encompass technical as well as social innovation. The role of art and communication in the development, both cultural and economic, of particular territories is in turn important.

Programme

25 November 2019
Accademia Nazionale di San Luca

9.30  Registration

10.00  Opening
Francesco Moschini (Accademia Nazionale di San Luca) Elisabetta Lazzaro (HKU University of the Arts Utrecht) Paolo Coen (Università degli Studi di Teramo)

10.15.

Keynote: Patrizia Cavazzini (The British School at Rome)
Communication strategies in the XVIIth century art market in Rome

Continuer la lecture de « Colloque : “Tools for the Future: Researching Art Market Practices from Past to Present” (25-26 Novembre 2019, Rome) »